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DTSTART;TZID=America/New_York:20220805T110000
DTEND;TZID=America/New_York:20220910T170000
DTSTAMP:20260612T233919
CREATED:20220809T150358Z
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UID:19039-1659697200-1662829200@fivepointsarts.org
SUMMARY:The Botanical Tyranny Dollhouse- Jane Rainwater
DESCRIPTION:Jane Rainwater Artist’s statement: \nMy work is beautiful and ugly. People are often attracted to the aesthetics of an image or object that stimulates desire. Decorative objects are collected and exhibited in the home as status symbols of affluence and refinement. My work engages the viewer with its seemingly innocent decorative delight; yet upon closer examination the work challenges and questions our attraction by revealing darker truths. I explore the hidden cost inherent in most of what we find seductively attractive with my drawings\, installations\, sculptures and videos. \n  \nJane Rainwater Short Bio: \nJane Rainwater grew up in Westport\, CT and currently lives in Andover\, CT.  She teaches art and design at several colleges and universities in Connecticut. She is also the owner of Rainwater Design. She holds a MFA from The Art Institute of Boston\, and a BFA from The Hartford Art School. Jane Rainwater received a Radius Emerging Artist Fellowship from The Aldrich Museum of Contemporary Art in Ridgefield\, CT. Jane has exhibited in galleries and museums throughout the country. \n  \nwww.rainwaterdesign.com \nwww.botanicaltyranny.blogspot.com \nwww.goldmastersthesis.blogspot.com \nrainwaterdesign@comcast.net \n860-331-7842 \n  \nThe Botanical Tyranny Dollhouse \n \n 
URL:https://fivepointsarts.org/event/the-botanical-tyranny-dollhouse/
LOCATION:Five Points Gallery\, 33 Main Street\, Torrington\, CT\, 06790\, United States
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220805T110000
DTEND;TZID=America/New_York:20220910T170000
DTSTAMP:20260612T233919
CREATED:20220809T153159Z
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SUMMARY:GLASSHOUSE OF IMMIGRANTS - Jill Enfield
DESCRIPTION:“…this ever-evolving diversity challenges the idea of a single dominant vision of the American identity\, encouraging Americans to embrace inclusion and pluralism.” – Ellis Island Museum. \n  \n  \n“The New Americans” is a physical display of heritage\, genealogy\, and homeland. My paternal relatives fled to America in the 1930s from Frankfurt\, Germany. I was brought up by immigrants and wanted to create a project that honored immigrants’ integral role in our society while simultaneously representing the hardships they still experience to this day. \n  \nI am intrigued by how both traditional and digital photographic practices make their mark on the creative process. I combined 19th-century wet collodion ambrotypes with digital scanning and 21st-century printing. Collodion\, and the distressed exterior window frames that hold the glass photographs and make up the glasshouse. The windows were found on abandoned side roads\, flea markets\, and construction sites. \n  \nThe collodion references the same technique used to record immigrants who traveled through Ellis Island in the 1800s. By fusing the elements of old and new\, I created portraits that reflect both historic technique and the reality of contemporary existence\, which unfortunately parallels that of some of the first immigrants. A glasshouse was made from antique windows and portraits. The distressed exterior echoes current adversity and is a ghostly homage to past immigrants. My goal was to communicate concepts of heritage and immigrant hardship in tangible form by utilizing the original process in which immigrants were photographically documented. \n  \nPhotography relies on the balance of time and light to bring visual elements to the surface. The wet collodion process requires long exposures\, so each subject must sit still for 45 to 60 seconds. The viewer should experience what I heard and saw during that time-lapse.  It is in that stillness that the narrative journey begins for the photographer\, and ultimately the viewer. It is in that silence\, that the viewer becomes the listener. Within my sitter’s face\, I saw the generations that have gone before and those yet to come and want the viewer to be moved by the same emotions that I am moved by as I am taking the portrait. These photos seek to capture the far-reaching heritage and stories encoded in the eyes of each of my subjects. \n  \nOnce the final 7’ x 7’ x 7’ glasshouse is assembled\, visitors can walk through and around it to experience the transparent portraits from different angles. Shadows of people walking around the house are visible in the interior and exterior so it becomes a moving experience for immigrants past and present.  The glasshouse is an interactive piece in that people can walk around and through it\, creating different shadows for the viewers’ experience. In addition\, they can take their time and look at each glass window on an individual level to understand the diversity that makes up the house and our country. If you removed one panel the house would fall. \n  \nThe old adage; “Those in glass houses should not throw stones” resonates as one looks into the eyes of the New Americans to realize that we are all immigrants; it is this understanding and awareness of heritage and history that is key to a more empathetic and compassionate future. \n  \n  \n  \nJILL ENFIELD \nJILL@JILLENFIELD.COM \nWWW.JILLENFIELD.COM \n917-518-7043 \n  \n3-minute video on installation of glasshouse: \nwww.youtube.com/watch?v=3Afr1qnxDLA
URL:https://fivepointsarts.org/event/glasshouse-of-immigrants-jill-enfield/
LOCATION:Five Points Gallery\, 33 Main Street\, Torrington\, CT\, 06790\, United States
CATEGORIES:Exhibition
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DTSTART;TZID=America/New_York:20220805T110000
DTEND;TZID=America/New_York:20220910T170000
DTSTAMP:20260612T233919
CREATED:20220809T160502Z
LAST-MODIFIED:20220809T160502Z
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SUMMARY:SIX PAINTINGS - John Keefer
DESCRIPTION:John Keefer’s paintings are large\, dramatic\, and beautifully rendered metaphoric representations of the artist’s inner turmoil with the current social and political affairs from around the world.  Keefer pessimistically states\, “My paintings are me being dragged kicking and screaming into a meaningless present.” The paintings depict overwhelming distress\, as ships on open seas erupt in flames as muddled\, muted pallets of smoke become the focal point. The viewer begins to wonder who or what are on these ships? Is it a battle or an accident? \nJohn Keefer does not maintain a CV or record of exhibitions\, though he has exhibited his work widely\, and is also part of many private and public collections including the Five Points Arts Center. \nSix Paintings \n \n 
URL:https://fivepointsarts.org/event/six-paintings-john-keefer/
LOCATION:Five Points Gallery\, 33 Main Street\, Torrington\, CT\, 06790\, United States
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://fivepointsarts.org/wp-content/uploads/2022/08/2.-.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220805T130000
DTEND;TZID=America/New_York:20220805T160000
DTSTAMP:20260612T233919
CREATED:20220526T200158Z
LAST-MODIFIED:20220630T152615Z
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SUMMARY:EXPLORING ABSTRACTION WORKSHOP FOR TEENS
DESCRIPTION:Instructor: Souby Boski \nDate: Friday\, August 5th \nTime: 1:00 – 4:00 PM \nThis workshop is intended for anyone who wants to explore non-representational painting by experimenting and applying free expression of one’s personal perception. Students of all levels develop a working knowledge of abstract painting\, challenging them to see and interpret in new ways. Using acrylic paint\, graphite\, charcoal\, oil pastels and other tools students will explore color\, line\, movement\, mark making\, form\, proportion\, shapes and texture. No prior experience necessary\, appropriate to beginners to advanced painters. All materials included – just bring a sketchbook! \n  \nClick here to register: https://fivepointsarts.app.neoncrm.com/np/clients/fivepointsarts/event.jsp?event=399&
URL:https://fivepointsarts.org/event/exploring-abstraction-workshop-for-teens/
LOCATION:Five Points Arts Center\, 855 University Drive\, Torrington\, CT\, 06790\, United States
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220819T183000
DTEND;TZID=America/New_York:20220819T193000
DTSTAMP:20260612T233919
CREATED:20220809T140308Z
LAST-MODIFIED:20220809T140447Z
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SUMMARY:Virtual Artist Talk: Enfield\, Keefer & Rainwater
DESCRIPTION:Jill Enfield\, a fine art photographer\, educator\, curator and author has been teaching photography for many years with a concentration on historical techniques and alternative processes. The photographs in this exhibition embody a physical display of heritage\, genealogy\, and homeland. Using 19th century wet collodion ambrotypes with digital scanning and 21st century printing\, Enfield’s Glasshouse invites viewers to walk into a room covered with the faces of immigrants – reinforcing the harrowing and precarious nature of immigration itself. \nJane Rainwater’s installation work seeks to engage the viewer with its seemingly innocent decorative design\, yet upon closer examination\, the work challenges and questions our attraction by revealing darker truths. Rooted in the tradition of botanical and scientific illustration\, silhouettes of seemingly real plants and animals are in fact carefully constructed from silhouettes of weapons. \nJohn Keefer’s paintings are large\, dramatic\, and beautifully rendered metaphoric representations of the artist’s inner turmoil with the current social and political affairs from around the world. Keefer pessimistically states\,“My paintings are me being dragged kicking and screaming into a meaningless present.” The paintings depict overwhelming distress\, as ships and planes erupt in flames as muddled\, muted pallets of smoke become the focal point. The viewer begins to wonder who or what are on these ships? Is it a battle or an accident? \nThis virtual artist talk will be hosted on Zoom. The link to register is as follows: Virtual Artist Talk: Enfield\, Keefer & Rainwater \n  \n 
URL:https://fivepointsarts.org/event/virtual-artist-talk-enfield-keefer-rainwater/
LOCATION:Virtual Event
CATEGORIES:Artist Talk
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